‘Effigy - Poison and the City’ : A Captivating Dive into 1828 Bremen's Dark Secrets"
Haunted by Whispers: A Review of "Effigy: Poison and the City"
The award-winning indie film "Effigy: Poison and the City" takes us on a chilling journey to 1828 Bremen, Germany. Adapted from a stage play, writer-director Udo Flohr crafts a suspenseful atmosphere where shadows seem to hold secrets. We enter a world on the cusp of change, with whispers of progress (the arrival of the railroads) clashing with the stoic resistance of tradition-bound leaders.
At the center of this tension lies Gesche Gottfried (Suzan Anbeh), a beautiful widow shrouded in suspicion. The townspeople revere her as "The Angel of Bremen" for her charity, yet a string of deaths casts a dark shadow. Senator Droste (Christoph Gottschalch) and his sharp law clerk, Cato Böhmer (Elisa Thiemann), delve into the investigation, uncovering a truth as dismal as it is unsettling.
Flohr paints a surrealistic view of Bremen, a community desperate to cling to normalcy. The film moves deliberately, building tension as the investigation unfolds. Discussions about the railroad become metaphors for the societal shift threatening the established order.
Gesche's own voice becomes a chilling character. She claims to be tormented by a seductive voice instructing her to kill. The prevailing religious and legal views paint her actions as the product of a "fragile mind," a dismissive label that chills viewers as much as it empowers Gesche's accusers.
Cato, a strong-willed woman navigating a male-dominated world, becomes a powerful counterpoint to Gesche. Their dynamic is a fascinating exploration of power, class, and the limitations placed upon women in this era. As Gesche tells Cato, "death is lurking everywhere," and the film masterfully captures this sense of pervasive doom.
While the mystery of Gesche's guilt is undeniable, the film's true power lies in exploring the "why." Was it the manipulative voice or something more sinister lurking within the oppressive society itself? This ambiguity keeps viewers engaged long after the credits roll.
Beautiful camerawork by Thomas Kist and editing by Sven Pape seamlessly transport us to 1828 Bremen. The production design by Knut Splett-Henning and Christina von Ahlefeldt creates a richly detailed world, while Katja Pilgrim's costume design, though perhaps slightly modern in feel, adds another layer of intrigue to the characters.
"Effigy: Poison and the City" is a haunting exploration of good and evil, sanity and madness.
- Asti Film Festival (2019).
Winner - Jury Award, Prima Cosa Bella International
- Cyprus International Film Festival (2019).
Winner - Best Editing
Winner - Best Costume Design
Winner - Best Feature Film
Nominee - Best Music
Nominee - Best Cinematography
Nominee - Best Screenplay
Nominee - Best Lead Actress
- European Cinematography Awards (2019).
Winner - Best Feature Film Cinematography
- London Independent Film Awards (2019).
Winner - Best Trailer
- Filmfest Bremen (2019)
Nominee - Jury & Audience Award, Bremer Preis
- Long Island International Film Expo (2019).
Nominee - Best Trailer
- Scottsdale International Film Festival (2020).
Winner - Best Supporting Actress in a Leading Role
- Mind the Indie Film Festival (2020).
Winner - Best Feature Film
- WorldFest Houston (2020)
Winner - Best Historical Feature
Winner - Best Art Direction
- ReelHeART International Film Festival (2020).
Winner - Best of Fest (Founders Award)
Winner - Best Historical Drama
Winner - Best First Time Filmmaker
Winner - Best Cinematography
Winner - Best Original Score
Winner - Best Production Design
Winner - Best Set Decoration
Nominee - Best Feature Film
Nominee - Best International Film
Nominee - Best Editing
- Flathead Lake International Cinemafest (2020).
Winner - Best Foreign Film
Winner - Best Actor (Female)
Nominee - Best Original Score
Nominee - Best Cinematography
Nominee - Best Actor (Male)
Nominee - Best Director
- Beaufort International Film Festival (2020).
Winner - Best Actress
Nominee - Best Director
Nominee - Best Feature Film
- Queens World Film Festival (2020).
Nominee - Best Cinematography
Nominee - Best Ensemble (Narrative Feature)
- San Francisco Indiefest (2020).
Nominee - Best Narrative Feature
- Garden State Film Festival (2020).
Nominee - Best Ensemble
- Las Cruces International Film Festival (2020).
Nominee - Best International Film
- Dallas Independent Film Festival (2020).
Nominee - Best Thriller
Elisa Thiemann as Cato Bohmer
Christoph Gottschalch as Senator Droste
Roland Jankowsky as Kapitan Ehlers
Uwe Bohm as Kommissar Tonjes
Marc Optiker as Dr. Hoffschlager
Tom Keidel as Kanzlist Muller
Nicola Melissa as Beta Schmidt
Eugen-Daniel Korber as Dr. Luce
Marita Marschall as Magd Dorothée
Written By Peter Meter & Antonia Roeller
Produced By Udo Flohr & Patricia Ryan
Music By Nic Raine
Cinematography By Thomas Kist
Film Editing By Sven Pape
Production Design By Knut Splett-Henning & Christina von Ahlefeldt
Costume Design By Katja Pilgrim
Historical Background: https://en.wikipedia.org/wiki/Gesche_Gottfried
Golden Globes:
https://goldenglobes.com/articles/effigy-poison-and-the-city-germany-united-states/
Streaming in 4K: http://effigy.film
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