'The History of Concrete’ Finds John Wilson Building Something Strange in New York - AmNews Curtain Raiser

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Thursday, August 27, 2026

'The History of Concrete’ Finds John Wilson Building Something Strange in New York


 

"John Wilson can make a movie about anything and make it absolutely brilliant."

- Collider 


 

"A funnier, more frenetic version of Frederick Wiseman."

- The Wrap



"Consistently hilarious and sneakily profound."

- IndieWire



"The question was always: Could he sustain something like that in a longer format? The answer is a resounding [in John Wilson voice], “Um, well… yes.”

- Rolling Stone


'The History of Concrete’ Finds John Wilson Building Something Strange in New York


After “How To with John Wilson,” filmmaker John Wilson turns to concrete, New York City and the strange business of making movies.



Only John Wilson could look at New York City, see concrete everywhere, and decide it deserves the definitive documentary.


Following the finale of his TV series, Wilson turns to the world’s most widely used building material for inspiration. But there is one obvious problem: How do you make concrete entertaining?


His solution is wonderfully odd. Wilson borrows the industry-approved Hallmark movie formula, hoping a little familiar storytelling structure can make his seemingly drab subject more appealing.


Then the foundation starts to crack — literally and figuratively.


As Wilson tries to balance his creative instincts with the realities of the modern film industry, the project becomes about much more than concrete. It is also about artistic freedom, commercial expectations, and what happens when the movie you want to make collides with the movie someone thinks people will actually watch.


Leave it to John Wilson to make concrete complicated.




DIRECTED BY: John Wilson


PRODUCERS: John Wilson, Clark Filio, Shirel Kozak, Allie Viti


EDITED BY: Cori Wapnowska


EXECUTIVE PRODUCERS: Josh Safdie, Eli Bush, Ronald Bronstein, Conor Hannon, Richie Doyle


CO-PRODUCERS: Francis Carr


ADDITIONAL CAMERA: Nellie Kluz


ADDITIONAL EDITOR: Sascha Stanton-Craven


POST-PRODUCTION SUPERVISOR: Jake Williams


SOUND MIXERS: Austin Plocher, Tom Tierney


MUSIC BY: Suzanne Ciani


GENRE: Documentary


RUN TIME: 102 minutes

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