‘Echoes from the Void’ Review: Robert W. Filion Gives Low-Budget Horror Big-Budget Bravado - AmNews Curtain Raiser

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Wednesday, October 21, 2026

‘Echoes from the Void’ Review: Robert W. Filion Gives Low-Budget Horror Big-Budget Bravado

 



‘Echoes from the Void’ Review: Robert W. Filion Gives Low-Budget Horror Big-Budget Bravado


Director Robert W. Filion and writer Brad Hord build a supernatural anthology around a psychiatrist, a mysterious prisoner, and stories that threaten to consume their listener.


“Echoes from the Void” is a well-made indie horror film with a distinctive visual style, guided by a director who knows how to make the most of limited resources. Robert W. Filion brings big-budget bravado to this low-budget anthology, using simple props and thoughtfully staged settings to give its strange stories a world of their own. His resourcefulness is the film’s strength: He understands how to use space effectively on camera and how an imaginative choice can achieve what a larger production might spend considerably more to accomplish.


Written by Brad Hord, the film follows psychiatrist Erin Murphy, who is assigned to evaluate a mysterious prisoner connected to a young woman’s disappearance. She expects a routine assessment, but instead encounters Bob, a charismatic storyteller whose chilling, interconnected tales gradually blur the distinction between fiction and reality.


Bob’s stories involve supernatural forces, fractured identities, restless spirits, and impossible worlds. As Murphy becomes absorbed in his accounts, the truth about her subject grows more disturbing, challenging her understanding of what is happening around her. The danger is not simply in what Bob describes, but in the possibility that the person listening may become part of the story.


Filion, who also serves as cinematographer and produces alongside Hord, makes inventive use of the film’s settings, allowing the available space to shape the atmosphere rather than merely serve as a backdrop for the action. He brings the same ingenuity to simple props, whose effectiveness depends on how he uses them, not on how much they appear to have cost.


These choices elevate “Echoes from the Void,” a production made with very little money, according to Filion, but with a visual style that reveals his inventiveness. His images convey an ambition that exceeds his resources, with imagination accomplishing what a larger budget might otherwise make possible.


That approach suits an anthology in which a single storyteller opens the door to several unsettling worlds. The psychiatrist’s encounter with Bob anchors the interconnected narratives, providing a sustained source of tension as their shifting realities carry the film through psychological suspense, dark fantasy and supernatural horror.

For Filion, frightening the audience was not the only—or even the primary—objective.


“The goal of this anthology was to recapture the sense of wonder I felt watching movies like ‘Creepshow’ and ‘Twilight Zone: The Movie’ when I was a child, not necessarily to scare anyone,” he said in a filmmaker statement. “We simply wanted to tell interesting, fun, creative, mysterious stories with complex characters, driven by a sense of discovery.”


That intention helps explain the film’s interest in the mysterious as well as the menacing. Bob’s stories invite curiosity even as they unsettle, drawing Murphy toward possibilities that become increasingly difficult to separate from her own experience.


“Sure, we had very little money to work with, but we all brought our hearts to the table,” Filion said. “We wanted to create something special, something that would entertain, spark curiosity, and hopefully give an audience a little of that same feeling of discovery that made us fall in love with movies in the first place.”


Filion’s affection for imaginative filmmaking comes through, but his execution gives it weight. “Echoes from the Void” benefits from a director who understands that a modest budget need not limit creative ambition—and who knows how to make effective use of the spaces, props and performers before his camera.


“Filion elevates low-budget horror with visual imagination and big-budget bravado.”— Lapacazo M. Sandoval, AmNews Curtain Raiser

 

Film Credits

“Echoes from the Void”

Genre: Fantasy, horror and science fiction

Director: Robert W. Filion

Writer: Brad Hord

Producers: Robert W. Filion and Brad Hord

Cinematographer: Robert W. Filion

Cast: Jaysen Buterin, Amie Henry, John R. Sexton, Sammie Cassell, Emily Tynan McDaniel, Art Parsells, Michael G. Sailors, Poppy Gillett, Catherine Trail, Jerry Keys, Mason Gillett and Sophia Lily

Streaming: Amazon Prime Video


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